An independent, ad-free leftist magazine of critical essays, poetry, fiction, and art.

  • Cover of Ludovico Silva, Marx's Literary Style

    Sam Russek reviews Verso’s new English edition of Ludovico Silva’s classic Marx’s Literary Style (trans. Paco Brito Núñez). As Silva illustrated in 1971, Marx’s harmonies between concretion and literary flourishes are key to his work’s effect.

  • The cover of Malcolm Harris's Palo Alto.

    David Helps reviews Palo Alto, Malcolm Harris’s new critical history of Silicon Valley’s blend of California idealism and exploitation. The town has come to signify grotesque new tech wealth accumulated in the guise of free-market liberation.

  • Cover of Road to Nowhere.

    Matthew J. Seidel reviews Road to Nowhere, the new book from Paris Marx on fantastical and farcical big-tech transit schemes and how they have substituted for the public good.

  • Town of Babylon cover.

    Marcos Gonsalez reviews Alejandro Varela’s debut novel The Town of Babylon. Andrés, the novel’s gay Colombian-American protagonist, returns to suburbia and muses on identity, race, and the prejudice and hierarchy that constitutes America.

  • The cover of Haiven's Palm Oil.

    Alex Skopic reviews Max Haiven’s Palm Oil: The Grease of Empire, out now from Pluto Press. The grotesque history of this ubiquitous commodity offers a lens onto the environmental and human costs of imperialism and industry.

  • The cover of Cynthia Cruz's The Melancholia of Class.

    Alexander Billet reviews Cynthia Cruz’s The Melancholia of Class, a work of memoir and cultural criticism that examines the inflections of class, assimilation, and loss on independent art.

  • Adam Fales reviews Olga Ravn’s The Employees: a slyly oblique sci-fi novel that transposes the alienation of the capitalist workplace onto a 22nd-century commercial starship.

  • Two docu-series, “Exterminate All the Brutes” and “How to Become a Tyrant,” exemplify a “poetic” materialism and stale liberal idealism, respectively. Ilan Benattar holds them both up to the light.

  • Clinton Williamson reviews Bini Adamczak’s Yesterday’s Tomorrow: On the Loneliness of Communist Specters and the Reconstruction of the Future, from MIT Press.

  • Will Meyer, with an eye to Stuart Schrader’s Badges Without Borders and Todd Miller’s Empire of Borders, examines how U.S. policing and repressive tactics are exported to and tested in client states, and how they inevitably return home.