Innas Tsuroiya’s “Doomsday Pantoum,” wields the 15th-century Malaysian poetic form against the man-made kingdom of wealth, warning: “If you did not give up the lands, golden stools, / we laboring mass would start fires: must let go.”

Poet Karlo Sevilla’s “Apple Rant” follows the circulation of apples from U.S. orchards to street vendors in the Philippines, exposing the commodity as a site of imperial history, cultural anxiety, and class struggle.

Poet Sarpong-Osei Asamoah’s “Lost Dogs” is a prayer of revulsion, oscillating between the heavens and the sewers.

Poet Ryan Boyd’s “Wolves” assesses the “gray jubilee” of capitalist crisis as it unfolds in “cities sick / with envy” and “scabbed with police.”

Poet James O’Leary’s “Shot Down Above Sicily” explores historical memory through the mysterious death of French writer and aviator Antoine de Saint-Exupéry, who vanished during an anti-Nazi reconnaissance mission.