An independent, ad-free leftist magazine of critical essays, poetry, fiction, and art.
We are now proud to announce our upcoming second issue, Anti-Sisyphus. Pre-order on our webstore today.
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In our inaugural issue of original essays, fiction, poetry, and art, we explore how technology impacts the human condition.
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by Mark Steven. The thing about realism / is industry really means / extraction but extraction.
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by Christopher Costello. Every urn is always a grenade / Let this one not explode in your hand / All our bodies are already acts of war, / so drop yours from a goddamn airplane.
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by M.K. Anderson. Now that three major candidates have added this policy to their platforms, disability activists from across the political spectrum are alarmed. We, as Marxists, should be as well. We must oppose this policy for what it is: an attempt to foist eugenics on the country to cover up the violence of capitalism.
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by Shane Burley. Nøkken And The Grim embody just about every feature of a dark music subculture that makes many uncomfortable. Paganism, romanticism, anti-modernity, deep ecology—a miasma of radical expressions that tend to hew either leftist or very, very far to the right. This is why so many have written off the neofolk genre entirely as the work of fascists.
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by Dakotah J. On our camping field trips, they’d say, / “Whoever is lightest when we leave wins.” / Sunscreen was a must for us kids.
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by Brendan Joyce The breeze through the sycamore trees’ sickly leaves that screams worsening working conditions, the squirrel taunting the cat from its clicking perch, the possums hunting rats below in the arson lot, the rats getting hunted, the cloud of bats rising from the school’s roof into October orange cloud cover, the spider…
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by Sean Bonney. It’s all visible now. Everything. It’s just that all the meanings have changed, and the names no longer apply. We lean against walls, our hands over our faces, and watch the parade. We are naked and frightened.
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by Matt Broomfield Cover photo courtesy of the poet. off the shoulders of the front lines there are mothers stirring great big pots of beans to feed the solid-bellied women in the killing machine off the shoulders of the frontlines there are families displaced three times each time in the rotting belly of a…
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by Tyler Walicek. Big structural Bailey. Over the last few days, these words have come to haunt me. The phrase tolls in my head, an incantation that conjures no spell but my own bafflement. It’s ingenious in its complete vacuity. Big. Structural. Bailey.
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by Jimmy Wu. Class is back on the big screen. From Sorry to Bother You to Joker, the past year has seen an explosion of popular movies that offer, with varying degrees of coherence, a critique of contemporary capitalism. But perhaps no recent film does so with more savvy than Parasite, a new genre-bender that became the first Korean movie to win the Palme d’Or.
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