Our 2022 print submissions call is now open! The submissions period will run for 30 days, closing on Friday, May 27th.
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Sacrifice Networks: A Review of Max Haiven’s Palm Oil: The Grease of Empire
Alex Skopic reviews Max Haiven’s Palm Oil: The Grease of Empire, out now from Pluto Press. The grotesque history of this ubiquitous commodity offers a lens onto the environmental and human costs of imperialism and industry.
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Singal and the Noise
Journalist Jesse Singal has made a career out of “just asking questions” about gender dysphoria in youth. His arguments have proven appealing to reactionaries eager to demonize and harm trans people, writes M.K. Anderson.
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Belonging Nowhere: Cynthia Cruz’s The Melancholia of Class
Alexander Billet reviews Cynthia Cruz’s The Melancholia of Class, a work of memoir and cultural criticism that examines the inflections of class, assimilation, and loss on independent art.
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Off the Edge: An Interview with Kelly Weill
Shane Burley interviewed Kelly Weill on her new book, Off the Edge, fringe conspiracism, and the erosion of consensus reality.
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Primordial Freedoms: An Interview with David Wengrow
Clinton Williamson spoke to archaeologist David Wengrow about his book with co-author David Graeber, The Dawn of Everything, and about how their new interpretation of the past confounds conventional histories.
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Motivated Reasoning: Emily Oster’s COVID Narratives and the Attack on Public Education
Free-market interests used fights over COVID protocols to further privatize K-12 education. Economist Emily Oster, whose research is funded by those groups, has laundered their ideologies and given them the imprimatur of science, write epidemiologists Abigail Cartus and Justin Feldman.
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The apocalypse will have beach chairs
Poet Madeline Lane-McKinley’s “The apocalypse will have beach chairs” observes the end of the world as an accumulation of refuse: a dead seal, bottle caps, and the literary works of Jonathan Franzen.
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Self-Portrait as a Hackberry Tree
KB Brookins’s concrete poem, “Self-Portrait as a Hackberry Tree,” uses ecology as poetic form to explore love, survival, and kinship.
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Little Dog Day
Poet Gion Davis’s “Little Dog Day” meditates on poverty, resource extraction, and the struggle to survive under capitalism.
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