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An image of Jumana Emil Abboud's 2015 piece "A Happy Ending part II: Two Skins." The work was made with pencil, gouache, and pastel, and features an orange cat, some foliage in the center, and abstract, eye-like blotches on the right. There is also text at the bottom right corner that reads: "by the side of the road / two fingers of two hands / each experiencing touch differently / try to mimic each other try to find / resemblance traces of what they once / were, and are no more"

Two Poems

The Stench

Full on the genocidaires are_____fully evacuating

the people_____ they’ve been evacuating
for months_____the carousel

without roof_____ or shadow_____ or saddled
magical creatures______ and just hours ago

the soldiers_____ shot a hungry horse in the head
_____watched it convulse
while hitched to the cart it pulls

in front of the house

_____“the guards laughing”
_____ the people on foot

with fewer belongings than the last time
_____to nowhere somewhere nearby
wounded_____ divergent

“so the hangman comes_____ to all dinners.”

And now and then your favourite shirt comes around
as you leave your favourite shoe pair behind

_____“and now and then a white elephant”
______ a  parrot_______ the people are free

to stay_____ free___ to return____ what it takes
to hoist a horse_____ issuing laws on how to bury it.

____How many of your corpses
____have you not washed?

And now and then sea water doesn’t sting the dead.
And now and then pounds of flesh per cerement.

The horse’s stench or sniper fire:
____the window, the door, the road.

 

[…]

I won’t live to see the manufacturers of eternity
become the dust they deserve.

The dust that feeds the great rivers as atoning diatoms.

Here I am in an evil place full of love,
I or the place receive the mystery.

 

 

 

Art credit: Jumana Emil Abboud, A Happy Ending part II: Two Skins, 2015, Pencil, gouache and pastel on paper. See more of her work here


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